| The History of the Tea
Ceremony |
| |
The tea plant is said to originate
in the zone that extends from southern China to the region
of Assam in India. The custom of tea drinking also began
in southern China.
Tea is first mentioned in Japanese literature in the
ninth century. At the end of the 12th century, during
the Kamakura Period (1185-1333), tea was reintroduced
to Japan by the monk Eisai who, after returning from studies
in Song (Sung), China, established the tea ritual as it
was practiced in Chinese Zen Buddhist temples. |
| |
Later, in the Muromachi Period (1333-1568), tea ceremonies
were held in teahouses of the shoinzukuri architectural
style and the tea was made with beautiful and expensive
tea utensils imported from China.
Counterpoint to the increasing ostentation of the tea
ceremony, the 16th century saw the birth of wabi, an aesthetic
that seeks beauty in imperfection and lowly circumstances.
Advocates of the movement began serving tea in small teahouses
no larger than four-and-a-half tatami mats. The Wabi-cha
Way of Tea was refined and perfected by the great tea
master Sen no Rikyu (1522-91) and is the origin of today's
tea ceremony. |
 |
| The Way of Tea in Matsue |
| |
The Way of Tea has been popular in Matsue
since the Edo Period (ca. 1600-1868) and was practiced
by successive rulers of the Matsue Domain. Matsudaira
Fumai, the seventh feudal lord of Matsue and an accomplished
tea master, was particularly responsible for promoting
the tea ceremony and crafting of tea utensils. The Way
of Tea eventually spread to the merchant class in Matsue.
By the time of the Meiji Period (1868-1912), what came
to be known as the Fumai Style Tea Ceremony began to be
widely practiced by the citizenry.
The tea culture has never waned in Matsue, so it is still
alive and well today. In homes all over the city tea drinking
is part of everyday life and people enjoy a variety of
teas from mild-flavored usucha to the strong-flavored
sencha popularly known as "green tea." Matsue,
one of the country's leading consumers of tea and the
traditional fine confections (wagashi) that accompany
tea drinking, is known throughout Japan as a mecca of
tea culture. |
 |
| Chashitsu |
| |
The teahouse or tearoom where the tea ceremony
is held. If the room is smaller than four-and-a-half tatami
mats it is called a koma (small room); if it is four-and-a-half
mats or larger it is called a hiroma (large room).
The type of tearoom in the illustration is called nijo
nakaita daimeseki and consists of two full-sized mats,
a wooden board inset, and a daime-datami mat. Daime-datami,
where the host sits to prepare the tea, is only three-quarters
as large as a full-size tatami mat. |
 |
| Chawan |
| |
The teabowl from which matcha (powdered
ceremonial tea) is drunk. |
 |
| Usuchaki |
| |
A container in which matcha is kept. The
tea container pictured, a Natsume, is a typical container
(usuchaki) for holding a powdered tea called usucha. |
 |
| Kakemono |
| |
A hanging scroll mounted on cloth or paper
and placed in the alcove, which is the focal point of
the tearoom. The scroll conveys to guests through its
picture or calligraphy the intent of the tea ceremony. |
 |
| Hanaire |
| |
The vase that holds the flowers used to
ornament the alcove. The flowers in a tearoom are called
chabana ("tea flowers"). |
 |
| Kama |
| |
The kettle for heating water used in the
tea ceremony. |
 |
| Ro |
| |
A sunken hearth in the tearoom where the
water is heated. It is used from November through April. |
 |
| Furo |
| |
A portable brazier in which a charcoal
fire is made to heat the water. It is used from May through
October. |
 |
| Chashaku |
| |
A slender scoop used to dispense powdered
tea from the tea container. |
 |
| Chasen |
| |
A whisk-shaped utensil used to mix the
powdered tea with hot water. The head of the whisk is
formed from a single piece of bamboo split into 80 to
100 or more fibers. |
 |
| Mizusashi |
| |
The jar that holds the water used to replenish
the kettle and to rinse the teabowl and tea whisk. |
 |
| Kashiki |
| |
The dish that holds the Japanese-style
confection served prior to partaking of the tea. |
 |
| Hishaku |
| |
A bamboo ladle used by the host to scoop
hot water from the kettle and water from the jar. |
 |
| Mizuya |
| |
A room adjoining the tearoom that is used
for preparation and to store the tea utensils. It is equivalent
to the kitchen in a house. |
 |
| Usucha |
| |
A variety of matcha called "weak tea"
to contrast it with koicha or "strong tea."
Usucha whisks into a light froth on the surface. |
 |
| Toko |
| |
The alcove where a hanging scroll, special
tea utensils, and flowers are displayed. It is also called
a tokonoma. |
 |
| Nijiriguchi |
| |
The crawl-through guest entrance, which
typically measures 63cm across and 66cm high, is unique
to koma (small) tearooms. |
 |
| Nakaita |
| |
A wooden inset used to enlarge the tearoom.
The dark band of red pine makes a striking contrast with
the tatami that lends distinction to this tearoom. |
 |
| Furosaki mado |
| |
A window on the wall that faces the host
when preparing tea. The window in this tearoom is in the
shitaji mado style that reveals the inner structure of
the wall. |
 |
| Renji mado |
| |
A window with bamboo latticework. This one
is fitted with a paper sliding door. |
 |
| Sadoguchi |
| |
The host's entrance to the tearoom. |
 |
| Kyujiguchi |
| |
The entrance through which the host brings
kaiseki, the tea meal served to guests before the tea
ceremony. |
 |
| Koshibari |
| |
Decorative papering on the lower part of
the wall employed for beauty and balance. |
 |
| Hiratenjo and ochitenjo |
| |
A flat ceiling of a consistent height is
called hiratenjo, while one that is lower above the area
where the host sits is called ochitenjo. |
 |
| Teishu |
| |
The tea ceremony host. |
 |
| <Reference> |
| |
E de Miru Hajimete no Chakai (An introduction
to the tea ceremony through pictures) (edited by Shufunotomo
Co., Ltd.) |
 |
|
|